To all first he comes to an end. A prelude order and, to date, unclear and mysterious, which has earned me my adventure by "discrete domiciled." Never before had I felt so immersed in a project as usual, and so I wanted to thank all our readers for having made this, because without them we would not have been possible to build this exhibition under a common language.
cultural practices have evolved over these weeks, no doubt, have succumbed for the purposes of relocation and continuing diversity based on the artist's nationality as well as all of our intrepid participants. We have taken over the time and space, we have learned to do ours, to enjoy and appreciate it. But mainly we have fun, I must admit I've enjoyed every issue we have shared with you through this unique and particular cultural space called notebooks. I have faced a projected realities, dreams and thoughts reflected floating, to finally reach the center of this exhibition. I tried to tell from all sides and viewpoints as possible, and at the same time, guide a través de un recorrido fascinante lleno de intrigas y preguntas sin respuestas o respuestas sin preguntas. Hemos denunciado el abuso de la velocidad generalizada en nuestra sociedad, nos hemos enfrentado a un nuevo concepto de práctica artística que interactúa con su ciudad, que invita a reflexionar, a retroceder, a ralentizar, a denunciar, a participar y hasta a jugar en un ámbito de multiculturalidad.
La creación de “Avecindamiento discretos” nos ha brindado la oportunidad de viajar a través de “los no lugares” y de “espacios liberados”. Se han abierto todas las fronteras de proteccionismo y de reagrupamiento, negándose a la clasificación and rewarding the participation and dialogue between citizens and their city.
Undoubtedly, the EACC has surprised us again with a project that builds a social network, not just a display of products, no participation in that there is no voice. Therefore it is not only to accept or reject the proposal, but to live it, experience it and share it. "Avecindados discrete" sets its own rules, ie not stipulate any, is released into the audience of potential biases and commitment to a joint collaboration between our protagonists. We navigated through a maze of infinite innate ideas which emerges in each of the cohabitants. The ambiguity of this project as significant and, while bizarre and delusional, questioning the here and now, and socio-cultural patterns dictated by globalization. So we are invited to awaken our most primal instincts and feelings that are rooted, to internalize and deliver us from our social and political burden, in order to advance along the path of aesthetic experience. They tell us what to think, or how we act, what to do or ask, do not provide solutions but plant and raise doubts. So our artists pave the way for dialogue and action inherent in one of the neighbors.
From here, I take leave, without delay, of these five artists: Antonio Ortega, Bernard Bazile, Denicolai & Provoost, Cesare Pietroiusti and Jordi Vidal its mediator, capable of creating an atmosphere transgressive and revolutionary urban space.
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